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Project: Noah x Sniffin' Glue
Year: 2023
Discipline: Digital, Print, Film, Creative Direction
Client: Noah
Website: noahny.com
Collaborators: Mark Perry, Chris Hickson, Chiara Gabellini
Capsule collection between Noah NY and legendary 1970s punk fanzine Sniffin’ Glue. The zine was one of the most critical resources about punk's first year, from early articles on the Ramones, the Damned, and the Sex Pistols, to the first-ever interview with the Clash.
The project involved working closely with Sniffin' Glue founder Mark Perry to create assets and marketing material using the same DIY methods he used to craft the original zines, all while sharing his firsthand perspective of the early UK punk scene and the continued impact of Sniffin' Glue, in the form of a short film.
The campaign featured original collages of photographs of Stella Rose and the Dead Language, an up-and-coming New York-based band, shot by Chiara Gabellini.












TONY
Project: TONY
Year: 2022
Discipline: Film, Art Direction, Installation
Client: Self Initiated
Collaborators: Oliver Nixon, Daisy Rickman, Squirrel
TONY is a 16mm short film documenting the career of Tony Howes, a Newlyn-based door to door mobile fishmonger. Tony’s been in the fish trade for 50 years, giving him a unique perspective on the local fishing industry in Cornwall. However, Tony’s job is significant not just as a fishmonger, but as a pillar of the community that many people rely on. I started working on the film two years ago, as he felt it was an important social document to capture, especially as it’s coming to an end and may not continue.
The cinematography was operated by Oliver Nixon, a local photographer and filmmaker. To accompany the film, Oliver has taken a series of photographs of Tony, his customers and colleagues at Newlyn Fish Co.
I worked closely with local signwriter and boat painter Squirrel, who hand painted Tony’s first van in the early ’80s, to paint the title cards and credits. The original music for the film was composed by talented artist and musician Daisy Rickman.














Captain Banplastic
Project: Captain Banplastic
Year: 2018—2022
Discipline: Art Direction, Illustration, Design, Print
Client: Self Initiated
Website: shop.captainbanplastic.co.uk
Collaborators: Valentina Concordia
Created in response to the lack of superheroes with an environmental and ethical standpoint, as well as visually interesting campaigns aimed at encouraging the refusal of single-use plastics. As a surfer, I am very aware of the problem of plastic pollution present on our beaches and in our oceans. I am passionate about raising awareness and helping fund causes tackling the problem first hand, and Captain Banplastic is my attempt at solving these issues.










Junkwax Records
Year: 2021—2022
Discipline: Identity, Art Direction, Print
Client: Junkwax Records
Design and art direction for independent record store Junkwax Records, creating identities, merchandise design and marketing material for events.










(Ad)ssemblage
Project: (Ad)ssemblage
Year: 2021
Discipline: Programming, Design, Print
Client: Self Initiated
Website: algorithmic.studio
Collaborators: Kristian Jones
Exploring the relationship between advertising and technology, (Ad)ssemblage comprises a series of images created using a procedural algorithm and a database of advertising imagery for luxury goods. The system produces a mass assemblage, consequently demanding the viewer sees imagery that would not typically be used together in advertisements. However, the final images still feel like genuine adverts because the core elements of traditional advertising remain.
(Ad)ssemblage is an artwork created in collaboration with Kristian Jones through Algorithmic Studio.









Bristol Pound
Project: Bristol Pound Notes
Year: 2018—2021
Discipline: Illustration
Client: Bristol Pound
Website: bristolpound.org
Power in Numbers was selected to be featured on the new edition of the Bristol Pound notes, released in June 2018. Power in Numbers is a piece that attempts to capture Bristol’s unique anti-establishment and egalitarian sentiments. Reappropriating the protester's heads with megaphones is a metaphor for the amplification of the voice and coming together to be heard to benefit the wider community.




'Unstable'
Project: ‘Unstable’
Year: 2018—2020
Discipline: Design, Print, AR
Client: Self Initiated
Website: unstable.radleycook.com
‘Unstable’ is an artwork created to encapsulate my feelings about the EU referendum. 'Unstable' AR, is an augmented reality instance of the work, which allows users to plant an augmented reality flag into their environment and capture an image through their smartphone. Historically a flag conveys the ideas, ambitions and values of a country, organisation or individual, this flag is no different.







Life Cycle
Project: Bike Back Flyer
Year: 2019
Discipline: Illustration, Design, Print
Client: Life Cycle UK
Life Cycle UK work closely with inmates at HMP Bristol, to teach them to refurbish bikes for the community, reducing waste and enabling more people to cycle through their Bike Back initiative. Illustration was integral to this project because the prisoners could not be photographed. The flyer promoted the good work they do and was included inside The Bristol Cable newspaper.




Arts Funding Breakout
Project: Arts Funding Breakout
Year: 2018
Discipline: Design, Animation
Client: Self Initiated
I used the 1976 Atari video game ‘Breakout’ as a vessel to visualise my data, because, firstly I feel that the blocks of colour in the game lend themselves to representing sets of data similar to a bar chart and the score a way of accurately adding accurate numerical data, but bricks could be destroyed by the ball as arts funding cuts data is represented to add a sense of drama.
Secondly and rather interestingly when researching more about the history of the game I discovered it was designed by Steve Wozniak, co-founder of Apple Computers when he and Steve Jobs worked for Atari, as a twist on the game ‘Pong’ which he also designed for the company. However, Atari paid Jobs for the game and he wasn’t open or honest with Wozniak about how much he got paid. He took the money and used it to buy a farm in Oregon. ‘Breakout’, therefore symbolises un-transparency and mistrust, which, represents how galleries who rely on public funding may feel towards the government bureaucracy, that challenges them to justify their funding annually.


The Star-Spangled Banner
Project: The Star-Spangled Banner – Sorry Not Working Today
Year: 2017
Discipline: Design, Web Development
Client: Self Initiated
A live artwork that uses an API feed linked to Donald Trump’s Twitter account. Every time the 45th president of the United States tweets, the neon sign turns off, revealing a powerful message written on the wall behind the sign, changing the context of the flag and what it represents.