The combination of the dissemination of AI images and spatial computing creates a post-truth environment where it has become increasingly difficult to establish what is real.
Created in collaboration with Gareth Jarvis, a photographer and printmaker specialising in wet plate collodion and platinum printing. The work utalises 19th-century techniques to create a set of three ambrotypes, featuring digital images captured using augmented reality, inserting a structure into three triangulated locations in the U.K. Consequently reappropriating a method that was once the purest representation of the truth. The work intends to explore our relationship with the image, conspiracy and trust in modern society.
